Wow! I just found out and I am so excited to tell you all that my new Painting “Cat Fight” has won in the Advanced Category on the Facebook CPAL Featured Artist Contest for the month of January. This is such a great honor, as it is an international group of Color Pencil Artists from beginners to experts. The contest is voted on by the members and there is nothing quite like being recognized by a group of your peers. This means that “Cat Fight” will be featured on the facebook banner for a month, plus It will be published in an upcoming issue of the magazine Color Pencil.
Story of creating Cat Fight
My friend Sheilah Forbes Swanson has an awesome job out at Wild Life Safari in Winston Oregon; where she gets to take photos of the animals up close and in person. She has given me the awesome privilege of being able to use her photos for reference for my art. As soon as I saw this photo I knew I needed to paint these girls.
First I prepped my canvas with Art Spectrum fine tooth colourfix primer on the unstretched canvas which I had taped to a board. Then left this to completely dry.
Then I started By by graphing out the photo so that I could increase the picture in size.Then I can trace that larger image onto any surface I want to paint or use my colored pencil using a large piece of carbon paper.
I had done a tiger face earlier in colored pencil in canvas I really liked how it had turned out.So I decided to try that again to make a series.Then I set forth to trace the Cat Fight onto a piece of canvas.
I love eyes! I always start with the eyes, kinda like eating desert before dinner. I just can’t help myself. My reasoning is that if the eyes are not right nothing else matters. This may not actually be true, but it is true to me!
Here I basically blocked in the face in the color tones and values, then worked them down into the texture of the canvas using odorless mineral spirits on the colored pencil to melt it down into all the diets of the canvas so there wouldn’t be white spots anywhere. This I did through out the first layers of the tigers and background.
Bit by bit I did the same process on the whole canvas surface, blocking in the underpainting. I then sprayed the entire piece with a textured fixative by Brush and Pencil. This is an awesome product and it made it possible for me to put lighter colors on top of the dark ones. You still have to be mindful to leave light spots light to retain the light in the painting, but it makes it easier to lighten things back up a bit.
Remember that when ever you are painting or using pencils to draw an animal with fur that you need to make you r pencil/brush stroke in the direction of the fur. You must constantly refer to your photo because underlying muscle and bone cause the hairs to shift position as they proceed down the body/ face…
Here I start refining the face and adding the detail. I just wanted to stay on the face and not finish the rest. Her eyes kept calling me back to them. I had to stop and step back from this piece for a while at this point because some of my values had gotten off kilter. Some things needed to be punched much deeper, others needed to be lightened up. at this point everything I do on the cats is done with hair strokes in the proper direction.
NOTE: don’t fence post your hairs. Hair can aim in a general direction without everything going in exactly the same direction.
Once the values were corrected, and background filled in with shadows punched just a little darker I was done. I could have gone into more detail on the forelegs but I felt that I wanted the focus to be her eyes anyway so I left the rest less detailed.
To give the canvas I nice protective surface I sprayed it with 4 layers of Golden’s Archival varnish with UVLS protection. This you can get in a Gloss or satin finish. I prefer the Gloss, but us a satin until I get it scanned or photographed so there is no glare.
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Jackie Little Miller Fine Art 