Entwined

Last year I got the privilege to hold my young grandsons for a 2 week period. I loved playing hard and resting with cuddles. The second week of my visit was more cuddles then playing hard as I had come down with covid, but didn’t know it. One day I just woke up and i was very weak, tired, and my legs would buckle under me. I never had any of the typical symptoms like fever, shortness of breath, soar throat… Just couldn’t stand up and walk for any length of time.

The boys were great with sitting and cuddling with me as I put my feet up. Grey the oldest boy even handed me his beloved stuff toy one day and told me that DOG would help me sleep better during my nap time. This was such a precious gift because Grey couldn’t sleep without him. It just melted my heart. But that’s what grandkids do to us Grandmas!

One day during this cuddle time I looked down to see that the boys had intertwined themselves around my arms, making it hard to see where They began and I ended. I had been wanting to do a series on hands and feet for a while, but never had the inspiration. But this, I knew was the moment I had been waiting for. SO I asked my daughter in law Emily to take a quick photo before the boys moved.

It was months before I had recovered enough to actually work on the painting. It turned out I has gotten long covid.

My vision had just the arms and legs without faces but to do that I would need a custom made canvas. Frankly by the time I got feeling good enough to paint it I just didn’t want to wait any longer for the new stretcher bars to arrive. So I just framed it the same as the photo and started.

The more I blocked it in the more dissatisfied with it I became. I felt that by leaving the boys faces in the painting it looked more like it was going to be a portrait. But as a Portrait it felt weird because my head was cut out of the painting. Right?

So, As I worked on it during art class I began to tell my students that I was going to put this painting on a smaller canvas cutting out the faces as I had originally envisioned. They all protested, but I was certain that that was what the painting needed. SO I ordered the new stretcher bars and waited.

Cropping it, I finally had it exactly the way I originally had envisioned it. SO I proceeded to add details until I had finished. It now proudly hangs in my living room reminding me everyday of my sweet Florida boys!

If you have any Questions or comments please comment below! I would love to hear from you.

For prints you can find this and other pieces I’ve painted on FineArtAmerica by clicking this link.

Shared Surprise

Shared Surprise is #4 in my Motherhood series. This painting tells the story of sharing the joy of a new baby with your older child/ children. I have kinda haloed mother and child not because this is the Madonna and child but because of the sacredness of motherhood itself.

My reference was a little more challenging this time as it was in Black and white. But there were others in the photo shoot that were edited in color so I used them as reference as well.

My usual process of drawing my image onto the canvas and blocking in color and value were followed to the T. it was so important to me to get the body language drawn correctly as it tells such a beautiful story. This photo took me back to when my mamma told me that I was going to be a big sister.

I have this image hanging on a cabinet door in my studio! I love this photo of me and my mom!

OK, So back to this painting, LOL! To harmonise with the other paintings in the series I kept the color pallet the same and the style the same. but when I got everything painted in I felt I needed to darken the floor to ground my subject so they were not floating. I also darkened the edges of the iron oxide back ground and left the haloed affect that I desired.

Again I left the fine details undone. there are no individual strands of hair, in fact there are no sharp defined details. Instead this one is left a bit blurry to represent a memory of a special moment in time.

Here are the 4 Motherhood Series paintings along with a few others waiting to be hung at

Mindpower Gallery in Reedsport Oregon. Prints of all these paintings are available on Fine Art America as well.

Sacred Solace

Sacred Solace is painting #3 of the motherhood series. There is so much about painting this one that excited me as an artist. I love the brightness of the painted background. I’m absolutely in love with the mother”s hands that gently supports her child’s bottom and head as he looks around exploring with innocence his new world.

My reference photo was granted to me by photographer and Author Naomi Lynn. I just adore her work!

Again I pre-toned the canvas in the transparent iron oxide. I absolutely loved how the background turned out, dark in some spots and glowing in others. Working with that glow I allowed the reflected light of the painting to actually be the background showing through.

Notice in the reference photo how the dress is a darker but similar color to the flesh tones. This works wonderfully in the photo, blending the two figures beautifully into one against a dark background.

What works to make something a great photo does not always work to make is a great painting. The artist has to decide what story she wants her painting to tell. Where do I want to direct the viewers eyes? What Feeling do I want to convey?

In my painting he color of her dress in the reference photo more closely resembles the background of the painting. So I decided to transposed the colors by taking the greenish blue back ground of the reference and putting a dark greenish blue dress on her in the painting. I felt that the contrast of the dark teal dress would draw your attention to their pail smooth skin, body language and facial expressions.

As always I followed my usually steps of blocking in and getting tones, values and shapes right. Then touching just a few dabs of blue color around the face. Normally I would blend these colors into the wet flesh tones making them more subtle. But when I stood back, I decided that she was perfect the way she was.

This may surprise you , but this was very hard for me to physically do. I actually had to leave the studio for several days, just so I wouldn’t fiddle with the paint. I really feel it would have ruined the painting to refine and define her more, and I certainly didn’t want to do that. I’m so glad now that I listened to that voice inside telling me she was done.

Sleepless Surrender

Sleepless Surrender is the second in my Motherhood series. I fell in love with this photo used by permission of Photographer and Author Naomi Lynn

This Mother and Child Figurative painting is the second in my Motherhood series. This painting reflex the sleepless nights and the selfless sacrifice of a mother to do what is needed for the the child to have peace and be able to sleep, even if that means she stay awake. I was drawn to the beauty in the the exhausted eyes depicting not only her tiredness but also a relaxed peace that at least finally her child has found rest.

As always I start by drawing the image out onto my canvas. With this series I have pre-toned the canvas with a thin coat of transparent Iron oxide. This is such a vibrant color and adds such a glow to the background and even shines thought the layers of paint that go over it, giving the painting a warmth that expresses motherhood perfectly.

I then block in the basic values, tones, highlights and dark shadows, paying attention to shape and form.

Once I have all the basics in place and I am happy with the composition and colors I have chosen I will start to add in detail and add layers of glazing to push and pull the values darker or lighter where needed and to add a look of reflected light.

Art Prints now available @
Sleepless Surrender

While I usually push my paintings into a realism with fine blending and detail, I wanted to leave this series blocky and un edited you might say. Raw, Real, yet Unfinished. These are the feelings I’m trying to portray. My use of bold color and contrast of cool and warm tones is to show the contrast in emotions that so comfortably sit side by side in a mothers struggle to care properly for her children. A sacrifice that is not always appreciated by the baby, toddler youth or teen. But she continues on doing her best anyway. No Matter What, because she loves her children more than life itself!

A Time to be Born

 

This piece is #3 in my Ecclesiastes 3 series wrapping up a very emotional year.

Titled “A Time to be Born”

This year has been a roller coaster of emotions for me. If you are a regular reader you know that I lost my big sister on Christmas day last year. So, even though I had planned to paint more paintings this year then ever before, turns out I have painted three. This season of painting has been filled with passion and raw emotion as I worked out the avalanche of emotions that were, and still are, churning around in my very soul as I allowed them to flow through me onto the canvas.

The first two paintings I have done in this series were working out my grief.Remembering tender moments and reliving old regrets. But #3 was going to be different.

In February, We found out that our son and his wife were expecting another baby. Our home was filled with joy again. This would be our 4th grandchild. Soon, though, that joy turned to worry as we got the news that the baby would have a 25% possibility of having Cystic Fibrosis. Months went by, waiting for news as Dr. visits  and check ups were scheduled, We found out the baby was a boy! Helping pick out names, counseling love and hope to our son and his wife as they worried, trying to be strong for them, feeling like a rag that had been rung out once to many times myself. Praise the Lord, the birth went amazingly well, and spirits and hopes were high, but after a few days it was evident that little man Kai was indeed sick with the dreaded disease. The roller coaster ride goes on still.

I decided to go on with my painting series. After all “to everything there is a season”, right? I decided to use my emotions artistically and focus on the positive. So about a month before Kai was born I started this painting. Using a reference photo of his older brother Grey taken by their aunt Naomi, I picked one that had the main focus on the connection of the hands and heart. It would be the companion piece to “The Last Goodbye.” and I wanted the emotional connection of the hands as well as a connection between the two pieces of art.

I started with a sketch up on canvas as I usually do, then quickly blocked in all the elements. In my typical way I adjusted the back ground several times and worked to keep the main focus on the hands not the baby’s face.

 

 

 

 

As I progressed, I felt something was wrong with the composition but couldn’t put my finger on it. So I walked away from it over night and when I had looked at it with fresh eyes I quickly realized that the mother’s thumb on the head was serving as a stop sign. So, It had to go. I fiddled with that hand and moved it several time before getting the thumb where I wanted it being the support for the head. fbsheet

Also around this point in the painting I switched from Acrylics to oils like I did with “The Last Goodbye” painting to get better blend ability.

FB COMP

The idea in my head was to make the background for the baby the sheets, like in the companion piece. I was also planning on adding just a touch of the green, like in the hospital gown, for the babies diaper cover. But once it was painted in, I felt it was too cold and void of emotion and warmth. So to fix this problem I decided to switch the green to the background and the white sheet to cover the diaper and lower left hand corner of painting. Once this was done I was so pleased. The painting was now warm and full of life.

To me the green represents the LIFE in these two paintings. I “A Time to be Born” there is so much life to look forward to, and in “Last Goodbye” there is just a remnant of life left. I had accomplished telling the story.

fbthumb back

Part of my creative process is watching what happens as I paint and deciding where to go from there. As I progressed through this painting I was having difficulty with the hand that supports the baby’s head. Things that work ok in photographs do not always translate well into a painting. you see the ye is naturally drawn to the point in the painting with the greatest contrast. The mother’s pale hand against the dark hair and strong shadows of the baby’s head was creating it’s own focal point. This created a problem for me as the story I wanted to tell was to be told through the emotional connection of the hands. So I had to do a delicate dance of lowering the values of the hand and even graying it out some so that it would feel more like a background element, even though in reality it was the thing in the far most foreground. I needed to be there as part of the story, but I didn’t really need it as a main character.

At the same time I was dulling out the left hand, I was increasing the contrast and intensifying the color of the baby’s hand. I did this by adding glazes of a warm shadow color and adding more warm reds to the tips of the fingers, with reflected red light bouncing off of the mother’s fingers. I also added those same reds to the ear to give baby a nice health glow.47391629_218022855766036_7897445495763632128_n

A Time to be Born

11″x 14″ Oil on canvas

#3 of the Ecclesiastes 3 series By Jackie Little Miller

47575069_1239478176191323_6444597581539442688_n

 

I wonder what painting the Lord will have me work and FEEL my way though next. It has been therapeutic yet, painful. I love that it is taking my art up a level, but a little apprehensive of what might be next. I’m hoping for some laughter and dancing soon. LOL! But I know my God is faithful. I know that His plans for me are for good, His thoughts are of peace for me and not evil, to give me a future and a hope. And I will keep painting though what ever He brings my way next.

 

Thank you so much for stopping by and checking out my art process! To see more of my paintings check out jackielittlemiller.com

 

 

Last Goodbye

This is my second painting in the Ecclesiastes 3 series, to everything there is a season. I have been a portrait artist for years and love the human expression. Driven by a desire to push myself past faces, I started thinking about doing a series of paintings on hands. Then I thought maybe hands and feet, and I came to the conclusion that I just wanted to be able to paint expressive emotion without the aid of facial expression. So I had all these possible ides running around in my head, day and night. especially at night. I tend to do all my best thinking just before I go off to sleep. After the process of painting “A Time to Mourn” the series was set in my mind. But this painting was of the full body and was a dancer. So then I’m asking myself questions like, if this one is of a dance, does the whole series need to be represented in dance? Do I use the whole body in all the paintings: Or can I still go with just hands, or hands and feet? So many conflicting ideas overwhelmed my thoughts. Then the answer came to me.

In December of last year when my sister was passing away,  I sat in the room with her holding her hand, as she was taking, what I knew were some of, her last breaths, I looked down at my hands holding and caressing hers. The artist in me wanted to capture this moment forever with a photo of our hands touching for the last time this side of heaven.The rational side of me, how ever, talked me out of it saying that it would be crass and insensitive of me. For several months afterword I mourned that decision, as my sister and I were so very close and her hands and my hands worked along side each other so many times. She was like an extension of me and I of her.

One day as I sat visiting a friend who had just recently lost a dear life long friend, she was expressing her feelings as she and another friend sat saying their last goodbyes to their failing friend. She looked at me and said, I have something I want you to see. She then opened photos on her phone and showed me this beautiful photo of the three friends holding hands. She expressed to me how she had apprehensions about taking the photo, and had almost talked herself out of it, but her other friend encouraged her to go ahead and take it. As I looked down on this photo, I was taken back to that precious unforgettable moment with my beloved sister. I instantly asked permission to paint this photo, and was graciously granted permission, with my friend saying, “Maybe it was meant to be shown to you!” And I think she was right.43672923_560139704412003_7099662553256558592_n

So I started with a sketch up. I changed the angle of the hand on the left as I felt it was leading the eye off the page coming in directly from the left. instead I angled it from the bottom left corner to lead the eye in to exactly where I wanted it to land. I also enlarged the drawing to fit the size of canvas I wanted to use. I did a little shading with my pencil to give myself indications of shape and values needed. I then started by blocking in the sheets and hand furthest underneath it all, working myself to the top hand.

working in acrylics has always given me a challenge full of frustration. It dries so quickly and just doesn’t give me the time I need the for subtle blending needed to paint skin the way I would like. I admit I am a blend-o-maniac! There I said it! Another frustration that was getting the better of me was that acrylics tend to dry darker then the wet paint. sometimes 2 or 3 shades darker. Usually I would be able to press on through and get it done anyway, but this year has been rough when it comes to how much patience and to be honest how much energy and even desire to paint. So any frustration at all will shut me down in minutes. So again progress on this painting stopped for about a month.

 

I know it’s normal, as I am grieving, to be frustrated and lose focus easily, but it is also very stressful. I have the creative ideas constantly flooding my mind and I need to be able to express them or I kinds get a little crazy. It’s like therapy to me to paint through my pain and emotions. Anyway, I started entertaining the thought of trying to paint with oils again. I had stopped because the fumes would trigger my migraines, and nobody can be creative with a migraine, right? So i did a bunch of research and purchased oil paints with just pigment and oil, and got an odorless solvent which I use very sparingly. I was so blessed to find that they did not trigger migraines and the blend like butter. I am In love!

Once I started painting with the oils I felt like a bird set free from her cage. These paints are wonderful. I am in blend heaven. And I can paint for days with the same pile of paints before they dry up on me. This is going to take me a while to get used to as the canvas stays wet for days too. But this is both good and bad. Good because I can continue to blend and get those subtle blends I want, but bad because I can still blend and get those blends I don’t want! LOL!

Back to the painting itself. In the photo my friend is wearing a silver bracelet that she wears all the time as it is very special to her. I really wanted to get that bracelet into the painting. But as I started blocking it in I realized that my eye was being constantly drawn to the bracelet more then to the hands clasping, where I wanted the attention to be. So I made the hard decision for the sake of the composition to remove it.

Once that decision was executed and the arm was finished being painted, I went over my darks with a couple layers of glaze to deepen the wrinkle, in the hands as well as the sheets. added a few age spots, and glazed in some red to the arthritic joins in the main hand. Showing the painting to my friend who took the photo she says “I love the painting but it makes me cry every time I see it.” This is the highest complement ever! and I have to agree, it makes me cry too from my own precious Last goodbye with my sister. But it’s not the ugly cry that it used to be, it is the cry of being blessed by a women I will never fully let go of!

 

fbsignature“Last Goodbye” From the Ecc.3 series

14″x18″ oils on canvas

 

Grief is a Strange Animal

It has been Six months since my big sister/ best friend passed away. Six Months of grieving, six months of not being able to breath, six months with very little creativity and art; and Four months since I created my last piece titled A Time to Mourn. Though it may be my best to date. It expresses my grief more then I could ever express it with words.

WM Time to Mourn FB

Grief is such a strange animal. I thought I knew this beast well, because I have met it on many occasions before.

This time somehow, it seams bigger and meaner. It seems to have backed me against a wall separating me from my creative side. It seems that with every attempt to vest this beast I am left feeling as though I have lost my artistic balance and I drop my brushes in defeat, frozen, temporarily paralyzed and unable to move my arms and mind into submission.

But I am not one to give up, I am brave, and bull headed. So I keep charging in and making myself go though the motions. Knowing that deep inside me creativity is alive and well and will eventually surface and be the victor. Each day I am desiring more and more to create again. I want to force myself past this dragon of grief and go to my favorite place to live, in the land of laughter, sunshine and creating things. Because I just want to be happy again.

I have to say though that It is not a scary monster, it’s just big and in my way and becoming very annoying. Like Rex from the movie Toy Story where he says “I’m going for fearsome here, but I just don’t feel it. I think I’m just coming off as annoying.”

I know that this beast called grief is not my enemy, or an enemy to my art. He may even be there, larger than life, to protect me from something that would wound me deeper while my heart heals.  I need to let him stand there and do his job. In the end it will cause me to be a better artist, painting with more feeling and emotion.

For without the darkness, one can not truly enjoy the light. Without the tears and pain, one can not truly appreciate the laughter and Joy. Without the experience of devastation one can not truly appreciate the creative process.

Thank you all for being so understanding and supporting me during this painful time for me. May God richly bless you!

A Time To Mourn

Time to Mourn FB

As many of you know, I lost my sister/ best friend recently. It has left me unable and some times unwilling to express my emotions. Which is strange because this is what I do, I put my feelings onto words, whether in poetry, song or in some cute way to make us all laugh at our circumstances and feel better about them. But Now, I’ve got nothing! No words will come out, they will not even form in my mind, and even when they do they refuse to come out of my mouth in any coherent manner.

Being an artist, I turned to painting for my therapy, or processing of my emotions. My original thought was to just do something simple. I can’t concentrate long enough or even care enough to focus on doing a portrait and make sure that it looks like a specific person. I had painted a few dancers and thought I could continue in that series. After asking for help with reference photos from my friends on face book, I was overwhelmed with the out pouring of responses. Several photo were dramatically lighted and drew my attention and so I pulled one of them and started considering the composition.

26943196_1796918696999677_919508536_n

Original reference photo from Melodie Lauhan

That night as I was falling asleep I envisioned a dripping background to this piece and that I could do in monotone in sepia colors. So the next morning I started to paint.20180203_132423

Once the background was painted and dry I traced on my drawing of the dance just like in the photo. Then I started blocking in her form.

 

But the more I painted the more I felt the sadness of the piece, as if I was painting my pain. So instead of trying to fix it and make it brighter or happier, I decided to embrace the pain, crying with every brush stroke applied to the canvas. Soon I realized that this dancers pose was not expressive enough to show the depths of grief that I was feeling. So I decided to move the arms and make her holding her head.

 

 

 

I moved her hands several times before getting them exactly where I wanted them also changing the tilt of her head. I was even blessed to get my Photographer son Isaiah Miller to photograph my beautiful daughter in law in the hand pose I needed, and under the same lighting conditions as the original reference photo to make it easier for me to paint it correctly.The problem I had now was that  I could not repaint the background as I loved the feeling of the drips so I had to hide the painting of the hands on the floor in the hair. Since my daughter in law has such lovely long full hair, this was an easy transition.

 

 

Once the detail in the hands and body were complete I felt I needed to clothe her in black to finish the look of one who mourns. Once that was done I felt that I had achieved expressing my inner most emotions. I hope that you can feel what my heart is saying and I hope that it touches you deeply.

Please leave a comment telling me how this piece makes you feel and what it tells you. I would love to hear from you.

 

Grey in Gray

I have been absolutely slammed with wedding prep for my youngest son’s up coming marriage since returning from Florida to witness the birth of my eldest son’s first baby. Since I was there during the photo shoot (which included this amazing photo) I was quick to ask the photographer for permission to paint any of the photos she was about to take. With delight I was glad to hear her say “I was hoping you would ask that! Yes!”

View More: http://naomilynnphotography.pass.us/grey-thomas-miller

Photo by permission of naomilynn.com

Even as I sat on the sofa in my son’s home looking at the photos that the baby’s aunt Naomi took, I have been anticipating painting this photo. My son’s mother in law even offered to get me some art supplies so I could get started. But I chose to put aside my painting and just hold the baby for as long as I was able, before I had to head home to Oregon. SO even though I am slammed with wedding prep, I still snuck in a few hours here and there to paint this piece entitled Grey in Gray.

My students had asked me if I would teach a class on values once I returned home. So I thought what would be more appropriate then a gray values painting of baby Grey. (Even though I would have painting him for any excuse and will be for a long time I’m sure.)

So like always I started by taking my photo into photoshop and turning it into a black and white. Then I had a nice 8 x 10 glossy printed up and printed out a b&w photo copy as well.

0329171715

Using my values chart on the photo I then use the photo copy to write the corresponding value on the areas I had just checked. I did this twice as the photo was dark then I wanted the painting to be. The colored photo looked light and fresh but once I transferred it to b&w it was a little darker and I wanted a lighter feeling to the painting. So once all my basic values were charted I stepped them up 2 or 3 values and re-wrote out the corrected numbers on another photo copy.

To avoid any mistakes I then threw away the first photo copy with the original numbers on it. I did not want to take the chance of picking up the wrong copy and getting the values all mixed up on the painting. So then I blocked in the basic values on the different areas of the painting.

0323171622a

Being that this was a painting of a very soft baby, I wanted the canvas to be very soft as well without a lot of grain to the canvas left. So I primed it again with a layer of gray gesso before beginning the actual painting, then sanded it smooth. This was one of the smoothest paintings I have ever done. I really like having a smooth canvas and it gave the affect I wanted it to have. I did find myself painting and then taking a dry brush and dabbing at it to smooth out and blend colors. I really haven’t done that much before but it gave the skin a very natural soft texture that looks and feels very much like baby skin.

0325171232

Once I got all the areas of the painting blocked in, I let the painting dry for a couple of days. Then when I was able to squeeze in a little more time on him I started to put more detail and more subtle value changes in. This was so much fun as I saw with every stroke that my grandson’s face was taking shape. My daughter in Law’s face came together just as quickly and beautifuly. I love this part of the painting as you really do start getting a 3 D affect as you put in more and more values.

0325171758

So again, it was time to let the painting rest and dry.

NOTE: I used Golden Open white titanium paint for this painting and mixed it with the regular Golden brand acrylic paint. Acrylic paints dry very fast, but the new Golden OPEN paint will keep the dry time open for a much longer time, giving me the time I need to blend subtle value changes! Which I love.

But unfortunately, this paint reactivates up to and past 3 weeks. Which means that this morning when I went to put on the finishing touches like adding final highlights, instead of adding, it actually lifted the dry color off, creating and very blotchy look, Which I, well, lets put it this way “Hate is a strong word, but I really really , really don’t like you! ” I can’t help myself!  I burst into song lyrics at random points all the time. LOL! i would always rather laugh then cry and that was my option now. So I decided to sing!

So to fix this paint problem, I had to spray the painting with a clear spray varnish to seal off the underpainting, so that nothing would move once I started to put on the highlights and hair details. This worked great. I hope you like it! 😀

0329171652b

Thank you for taking your time to read about my work process. If you would like to check out my other pieces please click jackielittlemiller.com

Zebra Hearts

It’s valentines week! So I decided you post a blog featuring my most recent piece titled Zebra Hearts. This piece was done on scratch board and the painting with water color to give a little more detention.

This was a really fun project! I felt like a little kid again. I remember making our own scratch boards in 5th grade art class. This Scratch Board is a piece of masonite with a special ceramic coating and then a black ink scratch layer.

I started by tracing my sketch onto the solid black board with a white tracing paper. Since it was stripes I actually filled in the spaces with scribbled white so that I could keep the black and white stripes separated. It may not seem like it bout working with black and white stripes can get very confusing at times. This is the first scratch board I have done since 5th grade but I guess it is like riding a bike, because I never really forgot. I started by taking my x-acto knife and making hair like scratches on the surface of the white marked areas. I made sure to go in the direction of the hairs in my reference photo that I was granted permission to use by Photographer Sheilah Swanson who works at Wild Life Safari in Winston Oregon.

I made sure to make very light and fine lines in the areas where I wanted it to be lighter but not white. the zebra’s muzzle is one of those places. Hear I did directional scratches and some cross hatching.muzzle

The ears had longer hairs in them, and so I simply made longer intentional scratches so that the hair would look natural and lot like fence posts.ear

Adding a reflection in the eye was a little tricky as I really didn’t want a high light just a little bit of a haze to show the reflection of the sky. here again I did very fine scratches and cross hatching.eyes

When I had everything scratched in place I slowly used the flat of the x-acto knife and scraped the back ground away. I think it leaves a cool natural looking background. once that back ground was established I used water color paints to the white surface to give detention. I wasn’t sure it would accept the paint but it soaked right in and wouldn’t life out. so if you do this, build up your colors slowly as you wouldn’t get a second chance to lighten it  back up. Once the paint was dry, which was with in minutes, I scratched out the very white white highlights. As for signing it, well I simply scratched that isn too!signature

Final result is as 8″x 10″ Piece titled “Zebra Love” ready for framing. $250.00.

finished

If you are interested in purchasing this or any of my art just contact me at Jackielittlemiller.com

captivating_Miller_08g

Check out my other creations at

icon-etsy