faith – Jackie Little Miller Fine Art

Three Foot Rule!

Spirit lead me where my trust is without borders,

Let me walk upon the waters,

Where ever you would call me,

Take me deeper then my feet would ever wander,

that my faith would be made stronger,

In the presence of my savior

My heart has sung this song so many times in the past few years, and my soul meant every word of it. Of course I admit I thought my journeys would be more of the metaphorical type. LOL! This is sort of a ‘Lord send me anywhere but Africa kind of story.” LOL!

So, I left you hanging at the end of January with us putting our house in Oregon up for sale. Our hearts had already made the move to Florida but our heads were still trying to catch up with the game.

This story begins on the third day of showing the house, after the third viewer made us a full price offer and we accepted it. It was so exciting. It was so terrifying. It was wonderful and horrible.

It is so strange how you can feel two seemingly opposite emotions at the same time. But you can! As I started to tell the people I love that we would be moving to Florida for sure I was so surprised by their responses. Our Kids were, of course, so supportive and happy for us. Though they were also very sad as were we. That didn’t really surprise me that much.

Turns out our kids were the easy ones to tell. It was harder to tell my grown grandkids. I figured my Eldest Grandson would be cool with it as he has moved away for work and has a lovely girl friend and is creating his own new life.

My Granddaughter is also grown and off to college and doing a great job of it, and I am so very proud of her! I have a special bond with all of my grandkids, but Em and I have grown even closer over the last few years as she has become a young woman. She loves to come and just hang out with me on stressful weekends when she can get away from school. We laugh together and sometimes cry together. We put puzzles together but our favorite thing is to play a card game called spit. I taught her to play this game years ago when I was at the top of my game, and I’m proud to say she has become the master and has dethroned my record. LOL! When I told her that we were moving, she and I cried together for a very long time.

The whole month of February my husband and I sorted, cleaned, fixed up, packed up, cleared out, laughed and cried. I looked forward to and dreaded every weekend at the same time. On the weekends all the kids and grandkids when they could make it down would come over and spend a couple days helping us with all that needed to be done. I made a declaration right away that I called the three foot rule. This rule states that if you come within three feet of me you need to stop and give me a big hug. I was great at first, all the hugs were amazing and came with giggles. I was on a mission and excited to get it done. Then at one point I was standing in my bedroom surrounded by all my girls and one of them said out loud ‘Three foot rule” and they all moved in to hug me. I just started the ugly cry right there and then. So of course my eldest Daughter had to get a photo. Photo included along with other three foot rule photos

Ya know sometimes in your life you wonder if you are doing what the Lord wants you to do. You struggle with making decisions and question the sanity of those decisions. I know I do. But this was not one of those times. God showed up and was evident in every step of this process.

Just a few of the ways God showed up :

My husband lost his job/ retired making it possible for us to move, which we never would have decided to do because it wasn’t part of our precious retirement plan.

We both started waking up earlier and earlier for a couple of weeks, not of our own doing, but it just happened. We woke early, worked all day going thru things and going to bed earlier because we were exhausted. So by February our bodies were already on Florida time, before we even moved.
In September of last year we planned a vacation to visit our kids in Florida. We purchased our tickets for February 28th. The tickets were an outrageous price but my husband said to buy them anyway! Which he never does. He is a serious penny pincher. I remember asking him then, “what have you done with my husband!”
Then the sale of our house in Oregon “just happened to” close on February 27th. We flew out the next day. God planned that months in advance for us.
At the beginning of February we needed to book a PODS container to ship our belongings to Florida. At the time we had no idea where we would be moving to. We had looked at a few houses on line but we were planning on moving in with our daughter in law’s parents and then look for a place. We scheduled the PODS container to be dropped off (so we could load our stuff) on the 24th of Feb and pick it up on the 27th. Then it would travel across country and would arrive on the 11th of March. We had scheduled it to be delivered to our son’s house to serve as a storage unit until we found a place.
Then a few weeks later our daughter in law sent us a link to a large house in Lakeland with an in-law suite attached. This was a house we could buy together with them. With Twins on the way they were fast out growing their home. This house was large enough to hold their growing family comfortably and give us our own side of the house. It was beautiful and Lindsay and I decided right away that this was the home for us. It was perfect for us to be close and be able to help out with the new babies and the three older boys. Well we put in a long shot offer and it was accepted over the rest. We closed on that house March 9th and guess what day we moved in? That’s right, the 11th. so on the 9th we changed the Pod’s delivery address to our new address and it showed up before all of our helpers.

This whole move has been filled with things like this. It has been amazing. God is so good! So you would think that I’m on cloud nine all the time. And I am much of the time. I know we are where God wants us. I’m happy to be near my Son’s family and grandkiddos. I love my new home. Yet I miss my Oregon family and friends so very much and my heart aches for them.

I’m a very small town girl who is very uncomfortable with change and now I live in a Big City and Everything in my life is new and different. New state, New house, New neighborhood, new neighbors, New house noises, new vehicle when we can find one we like, new surroundings, New stores, new weather, new church… and hopefully soon new friends! You name it, It’s new.

Since I’ve been here I’ve been warned not to touch any plant unless I know what it is, It might be poisonous. I’ve been warned about alligators, Pythons, fire ants, Some huge spider I forget the name of but we have killed one already, water moccasins, mosquitos, and something they call no-see-ums! But I’m not really worried, I will just never ever leave my house. LOL! Just kidding!

In Oregon all I had to worry about was black widow spiders, rattle snakes, bear and cougars. Oh and BIG FOOT of course. Apparently everything in Florida wants to kill you! Oh Florida has the bears and cougars too! SO I do feel more at home knowing that! LOL!

I guess I am telling you all this to let you know that it’s ok to feel all the feelings. God knew I would miss my Oregon kids, grandkids, nieces, nephews, friends, neighbors. And that they would miss me. That is how it should be, because we love each other big! But with every heartache of things I miss, there is joy in the people and things I have here.

I do often still ask myself “Why am I here?” I think it’s still my head trying to figure it all out because my soul always comes right back with “Because the Lord invited you!” It is well with my soul and I do so LOVE MY LIFE!

Sacred Solace

Work in progress

Sacred Solace is painting #3 of the motherhood series. There is so much about painting this one that excited me as an artist. I love the brightness of the painted background. I’m absolutely in love with the mother”s hands that gently supports her child’s bottom and head as he looks around exploring with innocence his new world.

My reference photo was granted to me by photographer and Author Naomi Lynn. I just adore her work!

Again I pre-toned the canvas in the transparent iron oxide. I absolutely loved how the background turned out, dark in some spots and glowing in others. Working with that glow I allowed the reflected light of the painting to actually be the background showing through.

Notice in the reference photo how the dress is a darker but similar color to the flesh tones. This works wonderfully in the photo, blending the two figures beautifully into one against a dark background.

What works to make something a great photo does not always work to make is a great painting. The artist has to decide what story she wants her painting to tell. Where do I want to direct the viewers eyes? What Feeling do I want to convey?

In my painting the color of her dress in the reference photo more closely resembles the background of the painting. So I decided to transposed the colors by taking the greenish blue back ground of the reference and putting a dark greenish blue dress on her in the painting. I felt that the contrast of the dark teal dress would draw your attention to their pail smooth skin, body language and facial expressions.

As always I followed my usually steps of blocking in and getting tones, values and shapes right. Then touching just a few dabs of blue color around the face. Normally I would blend these colors into the wet flesh tones making them more subtle. But when I stood back, I decided that she was perfect the way she was.

This may surprise you , but this was very hard for me to physically do. I actually had to leave the studio for several days, just so I wouldn’t fiddle with the paint. I really feel it would have ruined the painting to refine and define her more, and I certainly didn’t want to do that. I’m so glad now that I listened to that voice inside telling me she was done.

Sleepless Surrender

Painting In Progress

Sleepless Surrender is the second in my Motherhood series. I fell in love with this photo used by permission of Photographer and Author Naomi Lynn

This Mother and Child Figurative painting is the second in my Motherhood series. This painting reflex the sleepless nights and the selfless sacrifice of a mother to do what is needed for the the child to have peace and be able to sleep, even if that means she stay awake. I was drawn to the beauty in the the exhausted eyes depicting not only her tiredness but also a relaxed peace that at least finally her child has found rest.

As always I start by drawing the image out onto my canvas. With this series I have pre-toned the canvas with a thin coat of transparent Iron oxide. This is such a vibrant color and adds such a glow to the background and even shines thought the layers of paint that go over it, giving the painting a warmth that expresses motherhood perfectly.

I then block in the basic values, tones, highlights and dark shadows, paying attention to shape and form.

Once I have all the basics in place and I am happy with the composition and colors I have chosen I will start to add in detail and add layers of glazing to push and pull the values darker or lighter where needed and to add a look of reflected light.

Art Prints now available @
Sleepless Surrender

While I usually push my paintings into a realism with fine blending and detail, I wanted to leave this series blocky and un edited you might say. Raw, Real, yet Unfinished. These are the feelings I’m trying to portray. My use of bold color and contrast of cool and warm tones is to show the contrast in emotions that so comfortably sit side by side in a mothers struggle to care properly for her children. A sacrifice that is not always appreciated by the baby, toddler youth or teen. But she continues on doing her best anyway. No Matter What, because she loves her children more than life itself!

A Time to be Born

Painting In Progress

This piece is #3 in my Ecclesiastes 3 series wrapping up a very emotional year.

Titled “A Time to be Born”

This year has been a roller coaster of emotions for me. If you are a regular reader you know that I lost my big sister on Christmas day last year. So, even though I had planned to paint more paintings this year then ever before, turns out I have painted three. This season of painting has been filled with passion and raw emotion as I worked out the avalanche of emotions that were, and still are, churning around in my very soul as I allowed them to flow through me onto the canvas.

The first two paintings I have done in this series were working out my grief.Remembering tender moments and reliving old regrets. But #3 was going to be different.

In February, We found out that our son and his wife were expecting another baby. Our home was filled with joy again. This would be our 4th grandchild. Soon, though, that joy turned to worry as we got the news that the baby would have a 25% possibility of having Cystic Fibrosis. Months went by, waiting for news as Dr. visits and check ups were scheduled, We found out the baby was a boy! Helping pick out names, counseling love and hope to our son and his wife as they worried, trying to be strong for them, feeling like a rag that had been rung out once to many times myself. Praise the Lord, the birth went amazingly well, and spirits and hopes were high, but after a few days it was evident that little man Kai was indeed sick with the dreaded disease. The roller coaster ride goes on still.

I decided to go on with my painting series. After all “to everything there is a season”, right? I decided to use my emotions artistically and focus on the positive. So about a month before Kai was born I started this painting. Using a reference photo of his older brother Grey taken by their aunt Naomi, I picked one that had the main focus on the connection of the hands and heart. It would be the companion piece to “The Last Goodbye.” and I wanted the emotional connection of the hands as well as a connection between the two pieces of art.

I started with a sketch up on canvas as I usually do, then quickly blocked in all the elements. In my typical way I adjusted the back ground several times and worked to keep the main focus on the hands not the baby’s face.

View More: http://naomilynnphotography.pass.us/grey-thomas-miller

As I progressed, I felt something was wrong with the composition but couldn’t put my finger on it. So I walked away from it over night and when I had looked at it with fresh eyes I quickly realized that the mother’s thumb on the head was serving as a stop sign. So, It had to go. I fiddled with that hand and moved it several time before getting the thumb where I wanted it being the support for the head.

Also around this point in the painting I switched from Acrylics to oils like I did with “The Last Goodbye” painting to get better blend ability.

The idea in my head was to make the background for the baby the sheets, like in the companion piece. I was also planning on adding just a touch of the green, like in the hospital gown, for the babies diaper cover. But once it was painted in, I felt it was too cold and void of emotion and warmth. So to fix this problem I decided to switch the green to the background and the white sheet to cover the diaper and lower left hand corner of painting. Once this was done I was so pleased. The painting was now warm and full of life.

To me the green represents the LIFE in these two paintings. I “A Time to be Born” there is so much life to look forward to, and in “Last Goodbye” there is just a remnant of life left. I had accomplished telling the story.

Part of my creative process is watching what happens as I paint and deciding where to go from there. As I progressed through this painting I was having difficulty with the hand that supports the baby’s head. Things that work ok in photographs do not always translate well into a painting. you see the ye is naturally drawn to the point in the painting with the greatest contrast. The mother’s pale hand against the dark hair and strong shadows of the baby’s head was creating it’s own focal point. This created a problem for me as the story I wanted to tell was to be told through the emotional connection of the hands. So I had to do a delicate dance of lowering the values of the hand and even graying it out some so that it would feel more like a background element, even though in reality it was the thing in the far most foreground. I needed to be there as part of the story, but I didn’t really need it as a main character.

At the same time I was dulling out the left hand, I was increasing the contrast and intensifying the color of the baby’s hand. I did this by adding glazes of a warm shadow color and adding more warm reds to the tips of the fingers, with reflected red light bouncing off of the mother’s fingers. I also added those same reds to the ear to give baby a nice health glow.

A Time to be Born

11″x 14″ Oil on canvas

#3 of the Ecclesiastes 3 series By Jackie Little Miller

I wonder what painting the Lord will have me work and FEEL my way though next. It has been therapeutic yet, painful. I love that it is taking my art up a level, but a little apprehensive of what might be next. I’m hoping for some laughter and dancing soon. LOL! But I know my God is faithful. I know that His plans for me are for good, His thoughts are of peace for me and not evil, to give me a future and a hope. And I will keep painting though what ever He brings my way next.

Thank you so much for stopping by and checking out my art process! To see more of my paintings check out jackielittlemiller.com

Last Goodbye

Painting In Progress

This is my second painting in the Ecclesiastes 3 series, to everything there is a season. I have been a portrait artist for years and love the human expression. Driven by a desire to push myself past faces, I started thinking about doing a series of paintings on hands. Then I thought maybe hands and feet, and I came to the conclusion that I just wanted to be able to paint expressive emotion without the aid of facial expression. So I had all these possible ides running around in my head, day and night. especially at night. I tend to do all my best thinking just before I go off to sleep. After the process of painting “A Time to Mourn” the series was set in my mind. But this painting was of the full body and was a dancer. So then I’m asking myself questions like, if this one is of a dance, does the whole series need to be represented in dance? Do I use the whole body in all the paintings: Or can I still go with just hands, or hands and feet? So many conflicting ideas overwhelmed my thoughts. Then the answer came to me.

In December of last year when my sister was passing away, I sat in the room with her holding her hand, as she was taking, what I knew were some of, her last breaths, I looked down at my hands holding and caressing hers. The artist in me wanted to capture this moment forever with a photo of our hands touching for the last time this side of heaven.The rational side of me, how ever, talked me out of it saying that it would be crass and insensitive of me. For several months afterword I mourned that decision, as my sister and I were so very close and her hands and my hands worked along side each other so many times. She was like an extension of me and I of her.

One day as I sat visiting a friend who had just recently lost a dear life long friend, she was expressing her feelings as she and another friend sat saying their last goodbyes to their failing friend. She looked at me and said, I have something I want you to see. She then opened photos on her phone and showed me this beautiful photo of the three friends holding hands. She expressed to me how she had apprehensions about taking the photo, and had almost talked herself out of it, but her other friend encouraged her to go ahead and take it. As I looked down on this photo, I was taken back to that precious unforgettable moment with my beloved sister. I instantly asked permission to paint this photo, and was graciously granted permission, with my friend saying, “Maybe it was meant to be shown to you!” And I think she was right.

So I started with a sketch up. I changed the angle of the hand on the left as I felt it was leading the eye off the page coming in directly from the left. instead I angled it from the bottom left corner to lead the eye in to exactly where I wanted it to land. I also enlarged the drawing to fit the size of canvas I wanted to use. I did a little shading with my pencil to give myself indications of shape and values needed. I then started by blocking in the sheets and hand furthest underneath it all, working myself to the top hand.

working in acrylics has always given me a challenge full of frustration. It dries so quickly and just doesn’t give me the time I need the for subtle blending needed to paint skin the way I would like. I admit I am a blend-o-maniac! There I said it! Another frustration that was getting the better of me was that acrylics tend to dry darker then the wet paint. sometimes 2 or 3 shades darker. Usually I would be able to press on through and get it done anyway, but this year has been rough when it comes to how much patience and to be honest how much energy and even desire to paint. So any frustration at all will shut me down in minutes. So again progress on this painting stopped for about a month.

I know it’s normal, as I am grieving, to be frustrated and lose focus easily, but it is also very stressful. I have the creative ideas constantly flooding my mind and I need to be able to express them or I kinds get a little crazy. It’s like therapy to me to paint through my pain and emotions. Anyway, I started entertaining the thought of trying to paint with oils again. I had stopped because the fumes would trigger my migraines, and nobody can be creative with a migraine, right? So i did a bunch of research and purchased oil paints with just pigment and oil, and got an odorless solvent which I use very sparingly. I was so blessed to find that they did not trigger migraines and the blend like butter. I am In love!

Once I started painting with the oils I felt like a bird set free from her cage. These paints are wonderful. I am in blend heaven. And I can paint for days with the same pile of paints before they dry up on me. This is going to take me a while to get used to as the canvas stays wet for days too. But this is both good and bad. Good because I can continue to blend and get those subtle blends I want, but bad because I can still blend and get those blends I don’t want! LOL!

Back to the painting itself. In the photo my friend is wearing a silver bracelet that she wears all the time as it is very special to her. I really wanted to get that bracelet into the painting. But as I started blocking it in I realized that my eye was being constantly drawn to the bracelet more then to the hands clasping, where I wanted the attention to be. So I made the hard decision for the sake of the composition to remove it.

Once that decision was executed and the arm was finished being painted, I went over my darks with a couple layers of glaze to deepen the wrinkle, in the hands as well as the sheets. added a few age spots, and glazed in some red to the arthritic joins in the main hand. Showing the painting to my friend who took the photo she says “I love the painting but it makes me cry every time I see it.” This is the highest complement ever! and I have to agree, it makes me cry too from my own precious Last goodbye with my sister. But it’s not the ugly cry that it used to be, it is the cry of being blessed by a women I will never fully let go of!

“Last Goodbye” From the Ecc.3 series

14″x18″ oils on canvas

Grief is a Strange Animal

FOOD FOR THOUGHT!

It has been Six months since my big sister/ best friend passed away. Six Months of grieving, six months of not being able to breath, six months with very little creativity and art; and Four months since I created my last piece titled A Time to Mourn. Though it may be my best to date. It expresses my grief more then I could ever express it with words.

Grief is such a strange animal. I thought I knew this beast well, because I have met it on many occasions before.

This time somehow, it seams bigger and meaner. It seems to have backed me against a wall separating me from my creative side. It seems that with every attempt to vest this beast I am left feeling as though I have lost my artistic balance and I drop my brushes in defeat, frozen, temporarily paralyzed and unable to move my arms and mind into submission.

But I am not one to give up, I am brave, and bull headed. So I keep charging in and making myself go though the motions. Knowing that deep inside me creativity is alive and well and will eventually surface and be the victor. Each day I am desiring more and more to create again. I want to force myself past this dragon of grief and go to my favorite place to live, in the land of laughter, sunshine and creating things. Because I just want to be happy again.

I have to say though that It is not a scary monster, it’s just big and in my way and becoming very annoying. Like Rex from the movie Toy Story where he says “I’m going for fearsome here, but I just don’t feel it. I think I’m just coming off as annoying.”

I know that this beast called grief is not my enemy, or an enemy to my art. He may even be there, larger than life, to protect me from something that would wound me deeper while my heart heals. I need to let him stand there and do his job. In the end it will cause me to be a better artist, painting with more feeling and emotion.

For without the darkness, one can not truly enjoy the light. Without the tears and pain, one can not truly appreciate the laughter and Joy. Without the experience of devastation one can not truly appreciate the creative process.

Thank you all for being so understanding and supporting me during this painful time for me. May God richly bless you!

A Time To Mourn

FEATURED ART OF THE DAY

Time to Mourn FB

As many of you know, I lost my sister/ best friend recently. It has left me unable and some times unwilling to express my emotions. Which is strange because this is what I do, I put my feelings onto words, whether in poetry, song or in some cute way to make us all laugh at our circumstances and feel better about them. But Now, I’ve got nothing! No words will come out, they will not even form in my mind, and even when they do they refuse to come out of my mouth in any coherent manner.

Being an artist, I turned to painting for my therapy, or processing of my emotions. My original thought was to just do something simple. I can’t concentrate long enough or even care enough to focus on doing a portrait and make sure that it looks like a specific person. I had painted a few dancers and thought I could continue in that series. After asking for help with reference photos from my friends on face book, I was overwhelmed with the out pouring of responses. Several photo were dramatically lighted and drew my attention and so I pulled one of them and started considering the composition.

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Original reference photo from Melodie Lauhan

That night as I was falling asleep I envisioned a dripping background to this piece and that I could do in monotone in sepia colors. So the next morning I started to paint. 20180203_132423

Once the background was painted and dry I traced on my drawing of the dance just like in the photo. Then I started blocking in her form.

But the more I painted the more I felt the sadness of the piece, as if I was painting my pain. So instead of trying to fix it and make it brighter or happier, I decided to embrace the pain, crying with every brush stroke applied to the canvas. Soon I realized that this dancers pose was not expressive enough to show the depths of grief that I was feeling. So I decided to move the arms and make her holding her head.

I moved her hands several times before getting them exactly where I wanted them also changing the tilt of her head. I was even blessed to get my Photographer son Isaiah Miller to photograph my beautiful daughter in law in the hand pose I needed, and under the same lighting conditions as the original reference photo to make it easier for me to paint it correctly.The problem I had now was that I could not repaint the background as I loved the feeling of the drips so I had to hide the painting of the hands on the floor in the hair. Since my daughter in law has such lovely long full hair, this was an easy transition.

Once the detail in the hands and body were complete I felt I needed to clothe her in black to finish the look of one who mourns. Once that was done I felt that I had achieved expressing my inner most emotions. I hope that you can feel what my heart is saying and I hope that it touches you deeply.

Please leave a comment telling me how this piece makes you feel and what it tells you. I would love to hear from you.

First and Final Breaths

FOOD FOR THOUGHT!

I’ve been called out in the middle of the night, to race to the bedside of a friend or family member, to help usher in new life many times. With the knowledge that the time was near, I would set out my clothing in a neat pile so that I could hastily put them on and be out the door within minutes of getting the call to action. Unable to fully give into sleep, afraid I might miss the call. Anticipation filled my mind as I lay thinking about how this could be the night. Eventually, the awaited call would come and I would jump out of my bed and rush out the door.

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Hours would pass as my sister and I would bathe troubled brows, put pressure on lower backs, and talk women through each contraction; helping them to relax, easing their pain, whispering words of encouragement and love into the ear, and words of the life that was to soon come. Long painful minutes often stretched into back breaking hours of bending over beds with no thought of our comfort, only thoughts of helping to ease and comfort others.

How many time have I held a hand as life struggled to make its way into this world, to take it’s first breath? 50? 60? It’s a moment that takes your breath away, Unexplainable, sacred, and Holy. A moment celebrated with laughter, tears, and relief. And I was honored to be present for so many.

~~~

As I sat by my sister’s bedside Christmas Eve 2017, I reflected on how much the last days and hours ushering life out was much the same as ushering life in.

For weeks I lay in my bed at night, phone by my side, a pile of clothes ready to be put on at a moments notice. But this time instead of waiting with great excitement and anticipation, there was anxiety, my chest tight with sorrow and worry. Tears wet my pillow, as I would see my sister in my mind, wasting away. I was haunted by the thought of losing her. I needed to be there with her, with all my heart. You see, she had been by my side since I was born. She was there for every major and minor event of my life and my children’s lives. I had to be able to care for her, yet I was afraid that I wouldn’t be called in time to rush to her side.

My sister loved Christmas and last wish was to be home for Christmas Eve (The night of their annual Christmas party. She wanted to be with her family. It was a very subdued and quiet party in the living room that night. We all took turns going into her bedroom where there were several chair by her bedside and soft Christmas music playing. Some came in to say their good byes, others crying, some just sitting in silent vigil.

When the hour was getting late, reluctantly, her grandchildren were taken home and tucked into their beds. Christmas music was turned off and we whispered into Sherry’s ear that she had made it through Christmas with the family. All the kids were home in their beds and that it was Ok for her to go to her new home to her eternal life with Jesus.

I was blessed to be able to stay, with a few other family members, to spend one last night with my sister. To tend to her needs, to make sure she was comfortable. I bathed her brow with my tears, Knowing that her pain would soon be over. Whispered words of encouragement and love into her ear, words of the life that was soon to come with Jesus. I held her hand for long emotionally painful minutes that silently slipped into back breaking hours of bending over her bed with no thought of my own comfort, just wanting, needing to do anything and everything I could to ease the last hours of this precious Woman, that had done so very much for me, and that I loved more then life itself !

How many time have I held a hand as life struggled to make its way out of this world, to take it’s final breath? One! It was a moment that took my breath away, Unexplainable, sacred, and Holy. A moment celebrated with tears, sorrow and yet relief. And I was honored to be present for her birthing into Heaven.

My heart aches now, more then I ever thought possible. I have never hurt this bad or this deeply before. Speechless and sometimes breathless, but never hopeless, and maybe even a little jealous. WHY?

Because: I know My Redeemer lives, and I know that my sister is with Him in heaven today, seeing Him face to face. Oh, How I envy her that. For it is what I long for most in life. I long to see my Jesus and thank him for all that he has done in my life! To thank him for giving me such an amazing sister and family, and allowing me to love others as He has loved me for as long as He has planed for me to do so!

Beautiful things rarely happen in our lives without pain being present. Pain is part of life. I don’t fully understand that, or even like it, to be honest. But I know that without darkness we would not know what light is. With out sickness we do not appreciate health, and without pain we could not truly experience joy. I do not understand God and why he chooses to do what He does. I argue with Him quite often, thinking I know better then He does. I also know that He is big enough to handle my little temper tantrums.

His ways are not my ways. I have learned to trust and respect that, surrendering every aspect of my life to Him! Because I know the plans He has for me, thoughts of peace and not evil, to give me a future and a hope! (Jer 29: 11)

Quiet Time

Painting In Progress

It seams like I have gone from a year long dry spell to an oasis of ideas. Working on several pieces at a time. This painting was so much fun and yet so much of a challenge. I wanted to do her with a loose brush stroke to give it a relaxed feeling as the pose is of my daughter Jenny relaxing and with me and a cup of hot chocolate. As I often do as I am talking to someone I think of how I would mix the colors to paint her face or the color of reflected light that catches her chin. Then I was struck by her relaxed pose and did the mom thing and pulled out my phone and snapped a few quick shots before she realized I was doing so.

SO of course I started with a sketch and traced it onto my canvas as always. I worked on blocking in the back ground and then started on the face. I know I should do other things first but I am like a kid in a candy store when it comes to painting faces. I just can’t wait to get at it. This painting proved to me a true test as I lost her face completely a hundred times. well maybe not actually 100 but close.

When painting faces especially portraits that you want to look like a specific person, the larger the painting the easier it is to get those features right. This painting is only 12″ x 16″ So her face is only about 2″ big. this makes getting subtle value changes and warm light cool light areas a little more difficult. Plus at this size if you facial features are off by a hair width you have a different person interlay.

Also I had a hard time getting her eyes to look up like in the photo. This doesn’t seem to be that bad but even if the eyes are the correct shape it changes the mood of the subject. I wanted the upward glance because it was happy and hopeful. But I kept getting the straight ahead gaze which made her look sad or even one time mad, which was not what I wanted at all. Because it isn’t who my Jenny is. She is fun loving and cheerful and always thinking of new ideas. That is the feeling I wanted to capture.

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Here is a quick run through of all the faces of Jenny! LOL! I know she is blue for a while, It was an underpainting that eventually got painted over also. These are just a few of the many faces. Over the weeks of working on her I would get so frustrated paint over the face and start again, working on something else on the painting until the face painted area was dry and ready to work again. This actually worked great because I had a lot of time to spend on perfecting the other area of the painting that I might not have taken if the face turned out great the first time.

Here you can see the purple underpainting of the shadows on the sofa and pillows which eventually got glazed a lovely sand color. It makes it a little hard to judge if you are getting things right when you paint things in colors that they are not going to be, but it is truly the values that matter the most so if they are right everything will turn out fine in the end.

It can be hard sometimes as I post my works in progress as I work on them. Sometimes that pressure makes me work harder to get it right, other times it makes me wish I would have kept thins one to myself! LOL! But even with all the frustrations I am totally excited about how she turned out.

Thank you so much for following my Works in Progress! You support and encouragement are so appreciated!

Check out my online Portfolio @ Jackielittlemiller.com