Category: Work in progress

First Steps

Work in progress

I loved this photo from the very first moment I saw it, as I do most of Naomi’s Photographs. This one is of my two grandsons so of course it had to become my next painting.

In this painting I was playing with focus. I wanted my detail on their little faces. Here I softly blended shadows and light to create more realistic features. But when it came to the clothing I painting with broad strokes because i wanted more to just indicate detail. When you stand back and look at this painting It looks almost like a photograph, But as you investigate closer you see the detail is a lot less clear in those clothing areas then in the faces.

At first I painted from the reference just as it was. As I progressed I realized that something was wrong. Something was drawing my eyes away from the boys and that frustrated me. So I stopped painting on it for a couple of days to analyze it. It was troubling to me but I just couldn’t put my finger on the problem. The reference photo is so beautiful Just the way it is so what could be the problem?

A fellow artist/friend was over painting with me one day and so I asked her what she thought. She saw it right away.

The problem was the large white spaces on either side of the stairs. You see the eye is naturally drawn to the point of greatest contrast. So the bright walls beside the dark stairs was a greater contrast than the boys skin against the stairs. She suggested that I modify the painting to remove the wall on the left, taking the steps all the way to the edge of the painting. This would draw the eye to the right side where I wanted it. Her suggestion was right on and it worked perfectly. You can slide the arrows on the images back and forth to see the difference it made.

I had so much fun working on the wood grain and the reflections in the shinny floor and steps. Also as you can see in the top right photo of the completed painting, I darkened the wall on the right so it would not compete with the boys as center of attention.

The thing I’ve learned most from this process over the years is that there is a big difference between what makes a good photograph and what translates well into a great painting. I love this reference photo. It’s perfect. I look at it and I see only my grandsons. But when translating it into a painting I had to create an allusion that would draw your attention to exactly where I wanted you to look.

So NOTE TO ARTISTS as an artist feel free to edit and change what is in front of you. Add and take away items to tell the story that you want told. If you are painting a landscape and there are electric lines in your view but you want to convey a cleaner more peaceful scene, take them out. Or if the is a great tree far away from a barn you want to paint. Move that tree to where it will tell your story best.

Please feel free comment below or contact me on the contact page if you have any questions about this blog or you would like to chat about having your own commissioned painting done.

Special Thanks for Reference Photo By Naomi Vacaro

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Entwined

Work in progress

Last year I got the privilege to hold my young grandsons for a 2 week period. I loved playing hard and resting with cuddles. The second week of my visit was more cuddles then playing hard as I had come down with covid, but didn’t know it. One day I just woke up and i was very weak, tired, and my legs would buckle under me. I never had any of the typical symptoms like fever, shortness of breath, soar throat… Just couldn’t stand up and walk for any length of time.

The boys were great with sitting and cuddling with me as I put my feet up. Grey the oldest boy even handed me his beloved stuff toy one day and told me that DOG would help me sleep better during my nap time. This was such a precious gift because Grey couldn’t sleep without him. It just melted my heart. But that’s what grandkids do to us Grandmas!

One day during this cuddle time I looked down to see that the boys had intertwined themselves around my arms, making it hard to see where they ended and I began. I had been wanting to do a series on hands and feet for a while, but never had the inspiration. But this, I knew was the moment I had been waiting for. So I asked my daughter in law Emily to take a quick photo before the boys moved.

It was months before I had recovered enough to actually work on the painting. It turned out I has gotten long covid.

My vision had just the arms and legs without faces but to do that I would need a custom made canvas. Frankly by the time I got feeling good enough to paint it I just didn’t want to wait any longer for the new stretcher bars to arrive. So I just framed it the same as the photo and started.

The more I blocked it in the more dissatisfied with it I became. I felt that by leaving the boys faces in the painting it looked more like it was going to be a portrait. But as a Portrait it felt weird because my head was cut out of the painting. Right?

So, As I worked on it during art class I began to tell my students that I was going to put this painting on a smaller canvas cutting out the faces as I had originally envisioned. They all protested, but I was certain that that was what the painting needed. SO I ordered the new stretcher bars and waited.

Cropping it, I finally had it exactly the way I originally had envisioned it. SO I proceeded to add details until I had finished. It now proudly hangs in my living room reminding me everyday of my sweet Florida boys!

If you have any Questions or comments please comment below! I would love to hear from you.

For prints you can find this and other pieces I’ve painted on FineArtAmerica by clicking this link.

Shared Surprise

Work in progress

Shared Surprise is #4 in my Motherhood series. This painting tells the story of sharing the joy of a new baby with your older child/ children. I have kinda haloed mother and child not because this is the Madonna and child but because of the sacredness of motherhood itself.

My reference was a little more challenging this time as it was in Black and white. But there were others in the photo shoot that were edited in color so I used them as reference as well.

My usual process of drawing my image onto the canvas and blocking in color and value were followed to the T. It was so important to me to get the body language drawn correctly as it tells such a beautiful story. This photo took me back to when my mamma told me that I was going to be a big sister.

I have this image hanging on a cabinet door in my studio! I love this photo of me and my mom!

OK, So back to this painting, LOL! To harmonise with the other paintings in the series I kept the color pallet the same and the style the same. but when I got everything painted in I felt I needed to darken the floor to ground my subject so they were not floating. I also darkened the edges of the iron oxide back ground and left the haloed affect that I desired.

Again I left the fine details undone. there are no individual strands of hair, in fact there are no sharp defined details. Instead this one is left a bit blurry to represent a memory of a special moment in time.

Here are the 4 Motherhood Series paintings along with a few others waiting to be hung at

Mindpower Gallery in Reedsport Oregon. Prints of all these paintings are available on Fine Art America as well.

Sacred Solace

Work in progress

Sacred Solace is painting #3 of the motherhood series. There is so much about painting this one that excited me as an artist. I love the brightness of the painted background. I’m absolutely in love with the mother”s hands that gently supports her child’s bottom and head as he looks around exploring with innocence his new world.

My reference photo was granted to me by photographer and Author Naomi Lynn. I just adore her work!

Again I pre-toned the canvas in the transparent iron oxide. I absolutely loved how the background turned out, dark in some spots and glowing in others. Working with that glow I allowed the reflected light of the painting to actually be the background showing through.

Notice in the reference photo how the dress is a darker but similar color to the flesh tones. This works wonderfully in the photo, blending the two figures beautifully into one against a dark background.

What works to make something a great photo does not always work to make is a great painting. The artist has to decide what story she wants her painting to tell. Where do I want to direct the viewers eyes? What Feeling do I want to convey?

In my painting the color of her dress in the reference photo more closely resembles the background of the painting. So I decided to transposed the colors by taking the greenish blue back ground of the reference and putting a dark greenish blue dress on her in the painting. I felt that the contrast of the dark teal dress would draw your attention to their pail smooth skin, body language and facial expressions.

As always I followed my usually steps of blocking in and getting tones, values and shapes right. Then touching just a few dabs of blue color around the face. Normally I would blend these colors into the wet flesh tones making them more subtle. But when I stood back, I decided that she was perfect the way she was.

This may surprise you , but this was very hard for me to physically do. I actually had to leave the studio for several days, just so I wouldn’t fiddle with the paint. I really feel it would have ruined the painting to refine and define her more, and I certainly didn’t want to do that. I’m so glad now that I listened to that voice inside telling me she was done.

40 Year Together

Work in progress

Reference Photo by Kellie Doschades Trenkle

After 40 years of marriage I finally painted a portrait of my husband and I together as a Christmas gift for him. Double portraits can be tricky because they have 2 unique personalities and faces to paint, AND you have to get them right so they are recognizable.

I love this reference photo because of the tenderness in my husbands face as he kisses my forehead. This man loves me so very well! Getting my husbands features right was easy. I could probably paint him in my sleep. I know his face so well. I thought that capturing that look of love would be the difficult part, but that came easily too.

Surprisingly (to me anyway) was the trouble I had painting myself. After all I have known me all of my life, right! LOL! But that also might have been my problem. When I look at myself I see the wrinkles, the tires eyes, my wide nose and double chin. And those are just the physical things I see. My list of personal flaws is much bigger. SO I see my mistakes, my sailors and places where I just don’t measure up. I also know I’m not the only one who has this distorted view of myself. Am I right?

Anyway I got the painting to where I thought it was done, but one of my dearest artist friends told me to take my image further. She said “you are way more beautiful than that!” Which for some reason was hard and awkward for me to hear. But she wouldn’t let me call it finished until I had captured the me that she sees. AND I am very thankful for that. Not just because it improved the painting but because It lifted me up when I didn’t even know I needed lifted.

If you have been looking into a mirror of distortion while seeing your reflection, I would like to encourage you today, as my friend did for me. You are not the sum of your flaws and mistakes. You are loved, You are beautiful! The Bible tells us that “While we were yet sinners ( That’s all of us) GOD demonstrated his LOVE for us by sending Christ to die for us.” Romans 5:8

You were created just as you are by the Master of all Master artists. YOU ARE LOVED!