Quiet Time

It seams like I have gone from a year long dry spell to an oasis of ideas. Working on several pieces at a time. This painting was so much fun and yet so much of a challenge. I wanted to do her with a loose brush stroke to give it a relaxed feeling as the pose is of my daughter Jenny relaxing and with me and a cup of hot chocolate. As I often do as I am talking to someone I think of how I would mix the colors to paint her face or the color of reflected light that catches her chin. Then I was struck by her relaxed pose and did the mom thing and pulled out my phone and snapped a few quick shots before she realized I was doing so.

img_0758

SO of course I started with a sketch and traced it onto my canvas as always. I worked on blocking in the back ground and then started on the face. I know I should do other things first but I am like a kid in a candy store when it comes to painting faces. I just can’t wait to get at it. This painting proved to me a true test as I lost her face completely a hundred times. well maybe not actually 100 but close.

When painting faces especially portraits that  you want to look like a specific person, the larger the painting the easier it is to get those features right. This painting is only 12″ x 16″ So her face is only about 2″ big. this makes getting subtle value changes and warm light cool light areas a little more difficult. Plus at this size if you facial features are off by a hair width you have a different person interlay.

Also I had a hard time getting her eyes to look up like in the photo. This doesn’t seem to be that bad but even if the eyes are the correct shape it changes the mood of the subject. I wanted the upward glance because it was happy and hopeful. But I kept getting the straight ahead gaze which made her look sad or even one time mad, which was not what I wanted at all. Because it isn’t who my Jenny is. She is fun loving and cheerful and always thinking of new ideas. That is the feeling I wanted to capture.

This slideshow requires JavaScript.

Here is a quick run through of all the faces of Jenny! LOL! I know she is blue for a while, It was an underpainting that eventually got painted over also. These are just a few of the many faces. Over the weeks of working on her I would get so frustrated paint over the face and start again, working on something else on the painting until the face painted area was dry and ready to work again. This actually worked great because I had a lot of time to spend on perfecting the other area of the painting that I might not have taken if the face turned out great the first time.

Here you can see the purple underpainting of the shadows on the sofa and pillows which eventually got glazed a lovely sand color. It makes it a little hard to judge if you are getting things right when you paint things in colors that they are not going to be, but it is truly the values that matter the most so if they are right everything will turn out fine in the end.

It can be hard sometimes as I post my works in progress as I work on them. Sometimes that pressure makes me work harder to get it right, other times it makes me wish I would have kept thins one to myself! LOL! But even with all the frustrations I am totally excited about how she turned out.

fb-scan-jenny

Thank you so much for following my Works in Progress! You support and encouragement are so appreciated!

captivating_Miller_08g

Check out my online Portfolio @ Jackielittlemiller.com

Cat Fight

Wow! I just found out and I am so excited to tell you all that my new Painting “Cat Fight” has won in the Advanced Category on the Facebook CPAL Featured Artist Contest for the month of January. This is such a great honor, as it is an international group of Color Pencil Artists from beginners to experts. The contest is voted on by the members and there is nothing quite like being recognized by a group of your peers. This means that “Cat Fight” will be featured on the facebook banner for a month, plus It will be published in an upcoming issue of the magazine Color Pencil.

Story of creating Cat Fight

My friend Sheilah Forbes Swanson has an awesome job out at Wild Life Safari in Winston Oregon; where she gets to take photos of the animals up close and in person. She has given me the awesome privilege of being able to use her photos for reference for my art. As soon as I saw this photo I knew I needed to paint these girls.

tigers3-play-edit-crop

First I prepped my canvas with Art Spectrum fine tooth colourfix primer on the unstretched  canvas which I had taped to a board. Then left this to completely dry.

Then I started By by graphing out the photo so that I could increase the picture in size.Then I can trace that larger image onto any surface I want to paint or use my colored pencil using a large piece of carbon paper.

I had done a tiger face earlier in colored pencil in canvas I really liked how it had turned out.So I decided to try that again to make a series.Then I set forth to trace the Cat Fight onto a piece of canvas.

I love eyes! I always start with the eyes, kinda like eating desert before dinner. I just can’t help myself. My reasoning is that if the eyes are not right nothing else matters. This may not actually be true, but it is true to me!

1-d-face-with-ref

Here I basically blocked in the face in the color tones and values, then worked them down into the texture of the canvas using odorless mineral spirits on the colored pencil to melt it down into all the diets of the canvas so there wouldn’t be white spots anywhere. This I did through out the first layers of the tigers and background.

h-tiger2

Bit by bit I did the same process on the whole canvas surface, blocking in the underpainting. I then sprayed the entire piece with a textured fixative by Brush and Pencil. This is an awesome product and it made it possible for me to put lighter colors on top of the dark ones. You still have to be mindful to leave light spots light to retain the light in the painting, but it makes it easier to lighten things back up a bit.

Remember that when ever you are painting or using pencils to draw an animal with fur that you need to make you r pencil/brush stroke in the direction of the fur. You must constantly refer to your photo because underlying muscle and bone cause the hairs to shift position as they proceed down the body/ face…i-more-t2

Here I start refining the face and adding the detail. I just wanted to stay on the face and not finish the rest. Her eyes kept calling me back to them. I had to stop and step back from this piece for a while at this point because some of my values had gotten off kilter. Some things needed to be punched much deeper, others needed to be lightened up. at this point everything I do on the cats is done with hair strokes in the proper direction.

NOTE: don’t fence post your hairs. Hair can aim in a general direction without everything going in exactly the same direction.

z-finished

Once the values were corrected, and background filled in with shadows punched just a little darker I was done. I could have gone into more detail on the forelegs but I felt that I wanted the focus to be her eyes anyway so I left the rest less detailed.

To give the canvas I nice protective surface I sprayed it with 4 layers of Golden’s Archival varnish with UVLS protection. This you can get in a Gloss or satin finish. I prefer the Gloss, but us a satin until I get it scanned or photographed so there is no glare.

captivating_Miller_08g                                   See My online Portfolio at jackielittlemiller.com